“A few days later came the meeting. Gennaro returned from it with a face which told me that something dreadful had occurred. It was worse than we could have imagined possible. The funds of the society were raised by blackmailing rich Italians and threatening them with violence should they refuse the money. It seems that Castalotte, our dear friend and benefactor, had been approached. He had refused to yield to threats, and he had handed the notices to the police. It was resolved now that such an example should be made of him as would prevent any other victim from rebelling. At the meeting it was arranged that he and his house should be blown up with dynamite. There was a drawing of lots as to who should carry out the deed. Gennaro saw our enemy’s cruel face smiling at him as he dipped his hand in the bag. No doubt it had been prearranged in some fashion, for it was the fatal disc with the Red Circle upon it, the mandate for murder, which lay upon his palm. He was to kill his best friend, or he was to expose himself and me to the vengeance of his comrades. It was part of their fiendish system to punish those those whom they feared or hated by injuring not only their own persons but those whom they loved, and it was the knowledge of this which hung as a terror over my poor Gennaro’s head and drove him nearly crazy with apprehension.

“All that night we sat together, our arms round each other, each strengthening each for the troubles that lay before us. The very next evening had been fixed tor the attempt. By midday my husband and I were on our way to London, but not before he had given our benefactor full warning of his danger, and had also left such information for the police as would safeguard his life for the future.

“The rest, gentlemen, you know for yourselves. We were sure that our enemies would be behind us like our own shadows. Gorgiano had his private reasons for vengeance, but in any case we knew how ruthless, cunning, and untiring he could be. Both Italy and America are full of stories of his dreadful powers. If ever they were exerted it would be now. My darling made use of the few clear days which our start had given us in arranging for a refuge for me in such a fashion that no possible danger could reach me. For his own part, he wished to be free that he might communicate both with the American and with the Italian police. I do not myself know where he lived, or how. All that I learned was through the columns of a newspaper. But once as I looked through my window, I saw two Italians watching the house, and I understood that in some way Gorgiano had found out our retreat. Finally Gennaro told me, through the paper, that he would signal to me from a certain window, but when the signals came they were nothing but warnings, which were suddenly interrupted. It is very clear to me now that he knew Gorgiano to be close upon him, and that, thank God, he was ready for him when he came. And now, gentlemen, I would ask you whether we have anything to fear from the law, or whether any judge upon earth would condemn my Gennaro for what he has done?”

On one of her bad days she went out alone to walk in the wood, ponderously, heeding nothing, not even noticing where she was. The report of a gun not far off startled and angered her.

Then, as she went, she heard voices, and recoiled. People! She didn’t want people. But her quick ear caught another sound, and she roused; it was a child sobbing. At once she attended; someone was ill–treating a child. She strode swinging down the wet drive, her sullen resentment uppermost. She felt just prepared to make a scene.

Turning the corner, she saw two figures in the drive beyond her: the keeper, and a little girl in a purple coat and moleskin cap, crying.

‘Ah, shut it up, tha false little bitch!’ came the man’s angry voice, and the child sobbed louder.

Constance strode nearer, with blazing eyes. The man turned and looked at her, saluting coolly, but he was pale with anger.

‘What’s the matter? Why is she crying?’ demanded Constance, peremptory but a little breathless.

A faint smile like a sneer came on the man’s face. ‘Nay, yo mun ax ‘er,’ he replied callously, in broad vernacular.

Connie felt as if he had hit her in the face, and she changed colour. Then she gathered her defiance, and looked at him, her dark blue eyes blazing rather vaguely.

‘I asked YOU,’ she panted.

He gave a queer little bow, lifting his hat. ‘You did, your Ladyship,’ he said; then, with a return to the vernacular: ‘but I canna tell yer.’ And he became a soldier, inscrutable, only pale with annoyance.

Connie turned to the child, a ruddy, black–haired thing of nine or ten. ‘What is it, dear? Tell me why you’re crying!’ she said, with the conventionalized sweetness suitable. More violent sobs, self–conscious. Still more sweetness on Connie’s part.

‘There, there, don’t you cry! Tell me what they’ve done to you!’...an intense tenderness of tone. At the same time she felt in the pocket of her knitted jacket, and luckily found a sixpence.

‘Don’t you cry then!’ she said, bending in front of the child. ‘See what I’ve got for you!’

Sobs, snuffles, a fist taken from a blubbered face, and a black shrewd eye cast for a second on the sixpence. Then more sobs, but subduing. ‘There, tell me what’s the matter, tell me!’ said Connie, putting the coin into the child’s chubby hand, which closed over it.

‘It’s the...it’s the...pussy!’

Shudders of subsiding sobs.

‘What pussy, dear?’

After a silence the shy fist, clenching on sixpence, pointed into the bramble brake.

‘There!’

Connie looked, and there, sure enough, was a big black cat, stretched out grimly, with a bit of blood on it.

‘Oh!’ she said in repulsion.

‘A poacher, your Ladyship,’ said the man satirically.

She glanced at him angrily. ‘No wonder the child cried,’ she said, ‘if you shot it when she was there. No wonder she cried!’